Quicky media update

Sky Captain and the World of Tomorrow: I liked this exactly as much as I thought I would, no more or less. Worth seeing, because it's very large in stature, if only physically. Doubt that I'll pay to see it again, unless it happens to appear in the February festival lineup.

The Spanish Prisoner: A 1997 film. Mamety goodness. I like all of Mamet's movies even though they're all just strange enough to make me resist loving them.

I'm curious about the ending... did the foghorn serve as a literary device, an acoustic strikeout of information that the characters cared about but the story didn't (since they were only talking about the McGuffin)? Or did it serve to make the ultimate outcome uncertain? I'm actually certain that it's the former case. It's an intriguing stylistic technique I don't think I've seen much (the playful name-bleeping in Kill Bill is not the same thing at all, being a very deliberate tease), but I bet it confused a lot of audience who thought it served the latter purpose. (And I could be wrong. But I don't think that I am.)

The Venture Bros.: I decree this show to be brilliant. It had to work hard to get me to like it, as on one level it's YA The Tick-like sendup of American pop mythology (a mashup of superheroics, "The Hardy Boys" and "Johnny Quest"). But it loves its characters, making them more than just flat goofball parody. It's a joy to watch.