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Feeling pitchy
Apr. 23rd, 2009 01:15 amHello, my social network,
Tell me: do I know anyone who is involved in the TV industry, or who might be able to comfortably introduce me to colleagues who are? (Note: have already dispatched pigeons to the Gameshelf's crew members. Y'all are the second ones to hear this question.)
No need for me to be coy here: it struck me earlier this evening that there's no good reason for my complete ignorance about the world of commercial television. So long as I'm in the dark about it, I also lack reasons why I've never even thought about making The Gameshelf a part of it. I can imagine plenty of good reasons it's a ridiculous and dismissible notion - even ones that have nothing to do with the quality of relevance of my show - and wouldn't be a bit surprised to discover that any or all are true. But I don't know.
What I do know is that when I turn on TV38 and I see The Phantom Gourmet, I point at it and say "I would not hate it if my show worked like this." And as it happens, I feel that my show actually is really relevant. I could totally make a pitch on the basis that we're entering an increasingly ludocentric world, and we need a TV series that intelligently examines the history, culture (hi![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
radtea!), and criticism of games across all media. Something far broader and deeper than your typical G4 game-of-the-moment review show.
The two episodes we produced in 2007 were really awesome, and were I so motivated, I would feel perfectly comfortable cutting a demo reel around them. The thought of shooting a whole honest-to-god season of The Gameshelf with a budget, even a very small one, makes my toes tingle. It's a fragile fantasy right now, but now that it's bit me, I've got to know more about it.
Tell me: do I know anyone who is involved in the TV industry, or who might be able to comfortably introduce me to colleagues who are? (Note: have already dispatched pigeons to the Gameshelf's crew members. Y'all are the second ones to hear this question.)
No need for me to be coy here: it struck me earlier this evening that there's no good reason for my complete ignorance about the world of commercial television. So long as I'm in the dark about it, I also lack reasons why I've never even thought about making The Gameshelf a part of it. I can imagine plenty of good reasons it's a ridiculous and dismissible notion - even ones that have nothing to do with the quality of relevance of my show - and wouldn't be a bit surprised to discover that any or all are true. But I don't know.
What I do know is that when I turn on TV38 and I see The Phantom Gourmet, I point at it and say "I would not hate it if my show worked like this." And as it happens, I feel that my show actually is really relevant. I could totally make a pitch on the basis that we're entering an increasingly ludocentric world, and we need a TV series that intelligently examines the history, culture (hi
radtea!), and criticism of games across all media. Something far broader and deeper than your typical G4 game-of-the-moment review show.The two episodes we produced in 2007 were really awesome, and were I so motivated, I would feel perfectly comfortable cutting a demo reel around them. The thought of shooting a whole honest-to-god season of The Gameshelf with a budget, even a very small one, makes my toes tingle. It's a fragile fantasy right now, but now that it's bit me, I've got to know more about it.