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I was about to offer Thursday's movie as an example, but now that I think about it, nearly every word exchanged between the principal characters (all female) is about the secondary characters (all male). There is dialogue at the start that constructs the setting (of the women being in a difficult financial situation) and individual lines here and there to maintain it, but I don't know if it's enough to count.
I think the most recent movie that meets all these criteria is Ghost World, and I'm interested by the fact that I have a very hard time coming up with any others. I guess if I really puzzled over it I could name several. Horror movies, certainly, and maybe Star Trek movies. Hmm.
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Date: 2003-03-15 09:03 pm (UTC)Upsettingly, Miss Congeniality works -- women talk to each other about their weight and their eating disorders -- despite the fact that is a completely hegemonic antifeminist tirade which disguises hatred of women who aren't beautiful and couth as a female empowerment film.
Divine Secrets of the YA-YA Sisterhood works, though it is a chick flick (is this the definition of a chick flick?), and nowhere near as powerful or good as the book.
Huh. Given those two, maybe it's a Sandra Bullock thing.
Oh, and capping off the irony for the evening, Gigi works, even though all the female characters involved are courtesans, failed courtesans, or learning how to become courtesans.
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Date: 2003-03-15 11:04 pm (UTC)I haven't seen any of those other movies, though. I guess I should see Charlie's Angels since two people have brought it up today for different reasons, and that's just odd. :)