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Saw The Lion in Winter last night. It was pretty good. I thought the leads were good ([livejournal.com profile] chanaleh was great, actually... and it was a pleasure to see her really act, versus play choral role in a G&S show) but the actual story didn't do much for me. It seemed to wander around between straight-up historical drama and anachronism-laden semi-surreality, without really settling on either. Shrug.

I was probably made a little negative by the crummy venue (a stifling-hot church basement, complete with people watching TV and washing dishes in adjoining rooms) and the strange set-changing. The sets were actually quite nice -- within any one scene. Between every scene, stagehands lugged around these heavy pieces of furniture, most prominently a (cleverly jury-rigged) four-poster bed. The first time they disassembled and removed the bed in under two minutes, they got a round of applause... but when they brought it back in, and then took it out again, and so on, it became a strange sort of running gag for the audience to snicker at. I do not think this was the intended effect. I am left wondering if they could have just done without the bed entirely, and gone with a much more minimal set. Maybe not.

Then I went home, and then was immediately summoned by [livejournal.com profile] dissidentdiva to watch Das Experiement at her house. It was kind of fun, but also kind of silly and cynical. Everyone had fun petting her new wee orange kitty-cat though, who is very very cute. Then I went home again.

On the way to and from her house, I walked past the Episcopal church at the corner of Beech and Mass Ave in Cambridge. Both times it contained a suited evengelical ranting in Portuguese (it's a Brazilian-centric church) at a couple dozen parishoners seated in the front pews. Both times, I paused to peer in at the spectacle for a bit.

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