(no subject)
Feb. 16th, 2005 12:21 amThere's a great scene in one of the first shows I saw where Holmes is interviewing a serving woman whose boss had been shot to death early that morning. She is clearly rattled but trying hard to maintain composure and dignity before a social superior like Holmes, who meanwhile is completely blind to her ordeal, thinking of her only as an information source. When it becomes too much for him to bear, Watson interrupts Holmes, whispering a suggestion into his ear. Holmes pauses, casts his eyes down, then quietly asks the poor woman if she'd care to sit down; she accepts with relief. This brief scene sketches so much of Holmes, the role of Watson in his life, and the stratification of the Victorian society they live in. I knew then that I actually really liked this show.
I didn't know that the Holmes stories were, uh, whatever the literary term is for an alternate present; that is, they have the conceit that the stories, written by Dr. Watson (and not this Doyle chap), are being published in the England that Holmes inhabits, and Holmes' growing personal fame comes about in large part from the popularity of these stories about him. (I seem to recall that Cervantes played the same trick with his Don Quixote stories.) In the stories I'm watching now Holmes is getting frequent calls to action from the highest echelons of British government and royalty, so I'm guessing it's a fair way into the canon.